HPB-SB-1-162: Difference between revisions

{{Style P-No indent|The creative ''air ''is represented by number two. In it He engraved the twenty-two letters. The ''water ''is represented by the number ''three'': in it he engraved darkness, emptiness sad slime (void earth and water, the source ''oi ''matter). The ''fire ''is represented by number ''four. ''“In it he engraved the throne of His glory, the Ophanim, the Seraphim, the sacred animals and the ministering angels, and from these three he formed his habitation; as it is written, ‘He maketh the wind his messengers, taming fire his servants.’” Cod is not immediately connected with universe of matter and form, but his creative fiat is the active energy giving motion, life and vitality to matter of both the celestial and mundane worlds. In the celestial it is manifested in the form of light, which in the mundane is not seen. It is the light that shineth in darkness, and the darkness comprehendeth it not. It is also called intelligent light, and by Ibn Giberol, an Arabian philosopher who flourished in the second half of the eleventh century, as “the substance of the intellect" or more properly speaking the receptacle or soul of the intellect. It is therefore the soul of the celestial world.}}

The primal triad is developed still further into twelve parts, which are symbolized by the ''twelve simple consonants. ''The ''macrocosm ''into the twelve signs of the zodiac; the ''macrocosm ''into twelve active organs; and ''the revolution of time ''into twelve months of the year. This triad continues to evolve gradually into an infinite variety of forms, which proceed from the combination of a few. Thus the Hebrew alphabet by combination and transformation yields an endless variety of words, form, and figures, which are made to represent all the varied phenomena of nature. The book Jetzera, as well as the Sohar, contemplates God, the infinite and inscrutable being, as reigning over but not apart from organic existences. They teach that each element flows from a higher one, and all have in them the word, or Holy Spirit, which is the fountain of Living Water. The number ''One ''contains the All, and from it comes the first emanation of the divine substance. Therefore the ''one ''is over the three, the ''three ''is over the seven, and the ''seven ''over the twelve, and the whole inseparably connected, representing the unity and synthesis of God as manifested in nature. Creation, as delineated by the Sepher Jetzera, may be compared to a pyramid pointed at the top, which represents the beginning, and its base the manifold component parts. The book also teaches that throughout the universe there are two perceptible opposites, with a reconciling or harmonizing medium, which is represented by the three primordial elements. These opposites can be traced in the cosmic, telluric, and organic spheres, as well as in the moral world. The opposites are the two pillars of the temple, united by the arch, which is the symbol of harmony. The latter is the unique law, and results from the analogy of contraries. Separate the pillars by the destruction of the arch, and the temple falls, which is symbolized in the allegory of Sampson in the destruction of the temple. Hence we find that God has placed in all things one to oppose the other—good to oppose evil; good proceeding from good, and evil from evil, the former resulting from harmony, and the latter from disharmony.

 

The book Jetzera is regarded as the basis or key of the doctrines of the Sohar, but the arrangements of the works differ somewhat. In the latter, the ten ''sephiroths ''are unfolded with a greater amplitude than in the former. In the Sohar, they are no longer symbolized by numbers, but are {{Style S-HPB SB. Continues on|1-163}}

 

{{HPB-SB-footer-footnotes}}