A Story of the Mystical
To the Editor of The Sun.
One morning in 1868 Eastern Europe was startled by news of the most horrifying description. Michael Obrenovitch, reigning Prince of Serbia, his aunt, the Princess Catherine, or Katinka, and her daughter, had been murdered in broad daylight, near Belgrade, in their own garden, the assassin or assassins remaining unknown. The Prince had received several bullet shots and stabs, and his body was actually butchered; the Princess was killed on the spot, her head smashed, and her young daughter, though still alive, was not expected to survive. The circumstances are too recent to have been forgotten, but in that part of the world, at that time, the case created a delirium of excitement.
In the Austrian dominions and in those under the doubtful protectorate of Turkey, from Bucharest down to Trieste, no high family felt secure. In those half-oriental countries every Montecchi has its Capuletti, and it was rumored that the bloody deed was perpetrated by the Prince Kara-Georgevitch, an old pretender to the modest throne of Serbia, whose father had been wronged by the first Obrenovitch. The Jaggos of this family were known to nourish the bitterest hatred toward one whom they called a usurper, and “the shepherd’s grandson.” For a time, the official papers of Austria were filled with indignant denials of the charge that the treacherous deed had been done or procured by Kara-Georgevitch, or “Czerno-Georgiy,” as he is usually called in those parts. Several persons, innocent of the act, were, as is usual in such cases, imprisoned, and the real murderers escaped justice. A young relative of the victim, greatly beloved by his people, a mere child, taken for the purpose from a school in Paris, was brought over in ceremony to Belgrade and proclaimed Hospodar of Serbia. In the turmoil of political excitement the tragedy of Belgrade was forgotten by all but an old Serbian matron, who had been attached to the Obrenovitch family, and who, like Rachel, would not be consoled for the death of her children. After the proclamation of the young Obrenovitch, the nephew of the murdered man, she had sold out her property and disappeared; but not before taking a solemn vow on the tombs of the victims to avenge their deaths.
The writer of this truthful narrative had passed a few days at Belgrade, about three months before the horrid deed was perpetrated, and knew the Princess Katinka. She was a kind, gentle and lazy creature at home; abroad she seemed a Parisian in manners and education. As nearly all the personages who will figure in this true story are still living, it is but decent that I should withhold their names, and give only initials.
The old Serbian lady seldom left her house, going out but to see the Princess occasionally. Crouched on a pile of pillows and carpeting, clad in the picturesque national dress, she looked like the Cumaean Sibyl in her days of calm repose. Strange stories were whispered about her occult knowledge, and thrilling accounts circulated sometimes among the guests assembled round the fireside of my modest inn. Our fat landlord’s maiden aunt’s cousin had been troubled for some time past by a wandering vampire, and had been bled nearly to death by the nocturnal visitor; and while the efforts and exorcisms of the parish pope had been of no avail, the victim was luckily delivered by Gospoja P—, who had put to flight the disturbing ghost by merely shaking her fist at him, and shaming him in his own language. It was in Belgrade that I learned for the first time this highly interesting fact for philology, namely, that spooks have a language of their own. The old lady, whom I will call Gospoja P—, was generally attended by another personage destined to be the principal actress in our tale of horror. It was a young gypsy girl, from some part of Rumania, about fourteen years of age. Where she was born, and who she was, she seemed to know as little as anyone else. I was told she had been brought one day by a party of strolling gypsies, and left in the yard of the old lady; from which moment she became an inmate of the house. She was nicknamed “the sleeping girl,” as she was said to be gifted with the faculty of apparently dropping asleep wherever she stood, and speaking her dreams aloud. The girl’s heathen name was Frosya.
About eighteen months after the news of the murder had reached Italy, where I was at the time, I was travelling over the Banat, in a small wagon of my own, hiring a horse whenever I needed it, after the fashion of this primitive, trusting country. I met on my way an old Frenchman, a scientist, travelling alone after my own fashion, but with the difference that while he was a pedestrian I dominated the road from the eminence of a throne of dry hay, in a jolting wagon. I discovered him one fine morning, slumbering in a wilderness of shrubs and flowers, and had nearly passed over him, absorbed as I was, in the contemplation of the surrounding glorious scenery. The acquaintance was soon made, no great ceremony of mutual introduction being needed. I had heard his name mentioned in circles interested in mesmerism, and knew him to be a powerful adept of the school of Du Potet.
“I have found,” he remarked in the course of the conversation, after I had made him share my seat of hay, “one of the most wonderful subjects in this lovely Thebaide.
I have an appointment to-night with the family. They are seeking to unravel the mystery of a murder by means of the clairvoyance of the girl. . . . She is wonderful; very, very wonderful!”
“Who is she?” I asked.
“A Rumanian gypsy. She was brought up, it appears, in the family of the Serbian reigning Prince, who reigns no more, for he was very mysteriously mur——. Holoah, take care! Diable, you will upset us over the precipice!” he hurriedly exclaimed, unceremoniously snatching from me the reins, and giving the horse a violent pull.
“You do not mean Prince Obrenovitch?” I asked, aghast.
“Yes, I do; and him precisely. To-night I have to be there, hoping to close a series of séances by finally developing a most marvellous manifestation of the hidden power of human spirit, and you may come with me. I will introduce you; and, besides, you can help me as an interpreter, for they do not speak French.”
As I was pretty sure that if the somnambule was Frosya, the rest of the family must be Gospoja P——, I readily accepted. At sunset we were at the foot of the mountain, leading to the old castle, as the Frenchman called the place. It fully deserved the poetical name given it. There was a rough bench in the depths of one of the shadowy retreats, and as we stopped at the entrance of this poetical place, and the Frenchman was gallantly busying himself with my horse on the suspicious-looking bridge which led across the water to the entrance gate, I saw a tall figure slowly rise from the bench and come toward us. It was my old friend, Gospoja P——, looking more pale and more mysterious than ever. She exhibited no surprise at seeing me, but simply greeting me after the Serbian fashion, with a triple kiss on both cheeks, she took hold of my hand and led me straight to the nest of ivy. Half reclining on a small carpet spread on the tall grass with her back leaning against the wall, I recognized our Frosya.
She was dressed in the national costume of the Valachian women, a sort of gauze turban intermingled with various gilt medals and bands on her head, white shirt with opened sleeves, and petticoats of variegated colours. Her face looked deadly pale, her eyes were closed, and her countenance presented that stony, sphinx-like look which characterizes in such a peculiar way the entranced clairvoyant somnambule. If it were not for the heaving motion of her chest and bosom, ornamented by rows of medals and bead necklaces which feebly tinkled at every breath, one might have thought her dead, so lifeless and corpse-like was her face. The Frenchman informed me that he had sent her to sleep just as we were approaching the house, and that she now was as he had left her the previous night: he then began busying himself with the sujet, as he called Frosya. Paying no further attention to us, he shook her by the hand, and then making a few rapid passes, stretched out her arm and stiffened it. The arm, as rigid as iron, remained in that position. He then closed all her fingers but one—the middle finger—which he caused to point at the evening star, which twinkled in the deep blue sky. Then he turned round and went over from right to left, throwing on some of his fluids here, again discharging them at another place; busying himself with his invisible but potent fluids, like a painter with his brush when giving the last touches to a picture.
The old lady, who had silently watched him, with her chin in her hand the while, put out her thin, skeleton-looking hand on his arm and arrested it, as he was preparing himself to begin the regular mesmeric passes.
“Wait,” she whispered, “till the star is set, and the ninth hour completed. The Vourdalaki are hovering around; they may spoil the influence.”
“What does she say?” inquired the mesmerizer, annoyed at her interference.
I explained to him that the old lady feared the pernicious influences of the Vourdalaki.
“Vourdalaki? What’s that, the Vourdalaki?” exclaimed the Frenchman. “Let us be satisfied with Christian spirits, if they honor us to-night with a visit, and lose no time for the Vourdalaki.”
I glanced at the Gospoja. She had become deathly pale, and her brow was sternly knitted over her flashing black eyes.
“Tell him not to jest at this hour of the night!” she cried. “He does not know the country. Even the Holy Church may fail to protect us, once the Vourdalaki aroused. What’s this?” pushing with her foot a bundle of herbs the botanizing mesmerizer had laid near on the grass. She bent over the collection and anxiously examined the contents of the bundle, after which she flung the whole in the water.
“It must not be left here,” she firmly added; “these are the St. John’s plants, and they might attract the wandering ones.”
Meanwhile the night had come, and the moon illuminated the landscape with a pale, ghostly light. The nights in the Banat are nearly as beautiful as in the East, and the Frenchman had to go on with his experiments in the open air as the “pope” of the Church had prohibited such in his tower, which was used as the parsonage, for fear of filling the holy precincts with the heretical devils of the mesmerizer, which, he remarked, he would be unable to exorcise on account of their being foreigners.
The old gentleman had thrown off his travelling blouse, rolled up his shirt sleeves, and now striking a theatrical attitude began a regular process of mesmerization. Under his quivering fingers the odile fluid actually seemed to flash in the twilight. Frosya was placed with her figure facing the moon, and every motion of the entranced girl was discernible as in daylight. In a few minutes large drops of perspiration appeared on her brow and slowly rolled down her pale face, glittering in the moonbeams. Then she moved uneasily about and began chanting a low melody, to the words of which the Gospoja, anxiously bent over the unconscious girl, was listening with avidity and trying to catch every syllable. With her thin finger on her lips her eyes nearly starting from their sockets, her frame motionless, the old lady seemed herself transfixed into a statue of attention. The group was a remarkable one, and I regretted that I was not a painter. What followed was a scene worthy to figure in “Macbeth.” At one side the slender girl, pale and corpse-like, writhing under the invisible fluid of him who for the hour was her omnipotent master; at the other the old matron, who, burning with her unquenched desire of revenge, stood like the picture of Nemesis, waiting for the long-expected name of the Prince’s murderer to be at last pronounced. The Frenchman himself seemed transfigured, his gray hair standing on end; his bulky, clumsy form seemed to have grown in a few minutes. All theatrical pretence was now gone; there remained but the mesmerizer, aware of his responsibility, unconscious himself of the possible results, studying and anxiously expecting. Suddenly Frosya, as if lifted by some supernatural force, rose from her reclining posture and stood erect before us, motionless and still again, waiting for the magnetic fluid to direct her. The Frenchman, silently taking the old lady’s hand, placed it in that of the somnambulist, and ordered her to put herself en rapport with the Gospoja.
“What seest thou, my daughter? “ softly murmured the Serbian lady. “Can your spirit seek out the murderers?”
“Search and behold!” sternly commanded the mesmerizer, fixing his gaze upon the face of the subject.
“I am—on my way—I go,” faintly whispered Frosya, her voice seeming not to come from herself, but from the surrounding atmosphere.
At this moment something so extraordinary took place that I doubt my ability to describe it. A luminous shadow, vapor-like, appeared closely surrounding the girl’s body. At first about an inch in thickness, it gradually expanded, and, gathering itself, suddenly seemed to break off from the I body altogether, and condense itself into a kind of semi-solid vapor, which very soon assumed the likeness of the somnambule herself. Flickering about the surface of the earth, the form vacillated for two or three seconds, then glided noiselessly toward the river. It disappeared like a mist dissolved in the moonbeams, which seemed to absorb and imbibe it altogether.
I had followed the scene with intense attention The mysterious operation, known in the East as the evocation of the scîn-lâc was taking place before my own eyes To doubt was impossible, and Du Potet was right in saying that mesmerism is the conscious magic of the ancients, and spiritualism the unconscious effect of the same magic upon certain organisms.
As soon as the vaporous double had soaked itself through the pores of the girl, the Gospoja had, by a rapid motion of the hand which was left free, drawn from under her pelisse something which looked to us suspiciously like a small stiletto, and placed it as rapidly in the girl’s bosom. The action was so quick that the mesmerizer, absorbed in his work, had not remarked it, as he afterwards told me. A few minutes elapsed in a dead silence. We seemed a group of petrified persons. Suddenly a thrilling and transpiercing cry burst from the entranced girl’s lips. She bent forward, and snatching the stiletto from her bosom, plunged it furiously around her in the air, as if pursuing imaginary foes. Her mouth foamed, and incoherent, wild exclamations broke from her lips, among which discordant sounds I discerned <... continues on page 1-118 >
- ↑ A Story of the Mystical by Blavatsky, H. P. (signed as Hadji Mora), Sun, The, New York, vol. XLIII, No. 10
This is published in “A Modern Panarion,” p.95, as “Can the Double Murder?” Also in Theosophist of Jan 1. Appeared in “The Theosophist,” Jan. 1883 under title “Can the Double Murder?” and “The Theosophist” of Dec. 1929.. – Archivist