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on it, the whole surface being completely fogged. Shortly after this, he described a human figure completely surrounded by fog, and, on developing the plate, we found a faint, though perfectly discernible, outline of what appeared to be a female figure. On another occasion, last year, when I chanced to be seated at the table, he described a female figure as standing beside me, the rude outline of which came out strongly on development. From this time the appearances were almost invariably described during the exposure of the plate, and in every case with minuteness and accuracy. | on it, the whole surface being completely fogged. Shortly after this, he described a human figure completely surrounded by fog, and, on developing the plate, we found a faint, though perfectly discernible, outline of what appeared to be a female figure. On another occasion, last year, when I chanced to be seated at the table, he described a female figure as standing beside me, the rude outline of which came out strongly on development. From this time the appearances were almost invariably described during the exposure of the plate, and in every case with minuteness and accuracy. | ||
Last year, the manifestations were more varied in form than those previous, one of the most curious being a luminous star about the size of a threepenny piece, in the centre of which, and separated from the points by a dark border, was the figure of a medallion bust, described as such by the medium. | Last year, the manifestations were more varied in form than those previous, one of the most curious being a luminous star about the size of a threepenny piece, in the centre of which, and separated from the points by a dark border, was the figure of a medallion bust, described as such by the medium. | ||
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Any one who has examined the complete series of these photographs must have remarked that in most of them the forms represented appear to pass through a sort of gradual development, commencing with a small luminous surface, which by degrees increases in extent, undergoing, at the same time, a modification in shape, this latter change, being often caused by the coalescing of two portions originally separate. | Any one who has examined the complete series of these photographs must have remarked that in most of them the forms represented appear to pass through a sort of gradual development, commencing with a small luminous surface, which by degrees increases in extent, undergoing, at the same time, a modification in shape, this latter change, being often caused by the coalescing of two portions originally separate. | ||
During our experiments, Mr. Beattie often remarked the suddenness with which these forms appeared on the plates when the developer was applied, coming out very much in advance of the ordinary impression on the plates. And I have been informed by others who have experimented in the matter that they have met with the same peculiarity. | During our experiments, Mr. Beattie often remarked the suddenness with which these forms appeared on the plates when the developer was applied, coming out very much in advance of the ordinary impression on the plates. And I have been informed by others who have experimented in the matter that they have met with the same peculiarity. | ||
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: The gloom gathers vast round the murmurs that clash.<ref>{{Style S-HPB SB. Editors note|The rest of original verses in French could be found in [https://fr.wikisource.org/wiki/Catégorie:Poèmes_de_Victor_Hugo Wikisource]}}, or at [https://www.bonjourpoesie.fr/lesgrandsclassiques/poemes/victor_hugo/choses_du_soir BonjourPoesie.fr].</ref> | : The gloom gathers vast round the murmurs that clash.<ref>{{Style S-HPB SB. Editors note|The rest of original verses in French could be found in [https://fr.wikisource.org/wiki/Catégorie:Poèmes_de_Victor_Hugo Wikisource]}}, or at [https://www.bonjourpoesie.fr/lesgrandsclassiques/poemes/victor_hugo/choses_du_soir BonjourPoesie.fr].</ref> | ||
{{Style S-HPB SB. Continues on|3-54}} }} | {{Style S-HPB SB. Continues on|3-54}} }} | ||