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In Lane’s ''Modern Egyptian'' you will find an account of the experience which two visitors had with a famous sheikh, part of which bears upon this question. One of them desired an answer to a sealed letter, which he handed the sheikh and which was addressed to his own father, then living in a place far distant from the locality when the ''seance'' was occurring. The sheikh placed the letter behind one of the cushions of his divan, and shortly after turning down the cushion the visitor found his own letter gone and another addressed to himself, in his father’s familiar handwriting, replying to his questions and giving him unsought information about things that moment transpiring at home. | In Lane’s ''Modern Egyptian'' you will find an account of the experience which two visitors had with a famous sheikh, part of which bears upon this question. One of them desired an answer to a sealed letter, which he handed the sheikh and which was addressed to his own father, then living in a place far distant from the locality when the ''seance'' was occurring. The sheikh placed the letter behind one of the cushions of his divan, and shortly after turning down the cushion the visitor found his own letter gone and another addressed to himself, in his father’s familiar handwriting, replying to his questions and giving him unsought information about things that moment transpiring at home. | ||
Once this happened to me. I wrote a letter to a dear friend of mine who resided several thousand miles away from here—in India. I laid it, sealed, upon the mantel-shelf, where I could have it under my eye the whole time. In about an hour I looked and found my own envelope with unbroken seal, my own note inside, and ''inside that'', and upon a sheet of coloured paper unlike anything in my own possession, and unlike anything that I ever saw letters written upon in America, ''teas a reply from my correspondent'', in his own handwriting. | {{Style S-HPB SB. HPB highlighted|Once this happened to me. I wrote a letter to a dear friend of mine who resided several thousand miles away from here—in India. I laid it, sealed, upon the mantel-shelf, where I could have it under my eye the whole time. In about an hour I looked and found my own envelope with unbroken seal, my own note inside, and ''inside that'', and upon a sheet of coloured paper unlike anything in my own possession, and unlike anything that I ever saw letters written upon in America, ''teas a reply from my correspondent'', in his own handwriting.}} | ||
I might multiply stories of personal experience like this, but these will suffice to illustrate my point, viz.: That there are certain subtle forces, which can be controlled by will-power to produce written communications, even at great distances. Now, what are these forces, and how does will-power control them? Can any Spiritualist, with only such knowledge as he has obtained in circles or through mediums, explain? They can give vague theories, but only theories. It is not pretended that the writing is done, like ordinary writing, by a spirit’s tracing the characters with ink or pencil. I have heard them say it is a chemical effect; but how produced, pray? Some time since I sat with the President of the Photographic Section of the American Institute, to witness the slate writing of a certain Doctor Cozine, which is far more wonderful than Slade’s. The communications came upon the slate in bright blue and red colours, and no pencil or crayon was used by us, and I held one end of the slate myself. In my own experience I have seen the writing in pastil, ink, lead-pencil, and slate pencil, to say nothing of the direct paintings of figures, flowers, and other objects on paper and satin; how are these done? | I might multiply stories of personal experience like this, but these will suffice to illustrate my point, viz.: That there are certain subtle forces, which can be controlled by will-power to produce written communications, even at great distances. Now, what are these forces, and how does will-power control them? Can any Spiritualist, with only such knowledge as he has obtained in circles or through mediums, explain? They can give vague theories, but only theories. It is not pretended that the writing is done, like ordinary writing, by a spirit’s tracing the characters with ink or pencil. I have heard them say it is a chemical effect; but how produced, pray? Some time since I sat with the President of the Photographic Section of the American Institute, to witness the slate writing of a certain Doctor Cozine, which is far more wonderful than Slade’s. The communications came upon the slate in bright blue and red colours, and no pencil or crayon was used by us, and I held one end of the slate myself. In my own experience I have seen the writing in pastil, ink, lead-pencil, and slate pencil, to say nothing of the direct paintings of figures, flowers, and other objects on paper and satin; how are these done? | ||